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title="View all posts filed under recon">recon</a> </li> <li class="cat-item cat-item-149"><a href="http://pblks.com/category/reportage/" title="View all posts filed under reportage">reportage</a> </li> <li class="cat-item cat-item-10"><a href="http://pblks.com/category/style/" title="View all posts filed under style">style</a> </li> <li class="cat-item cat-item-1"><a href="http://pblks.com/category/uncategorized/" title="View all posts filed under Uncategorized">Uncategorized</a> </li> <li class="cat-item cat-item-62"><a href="http://pblks.com/category/urbanism/" title="View all posts filed under urbanism">urbanism</a> </li> <li class="cat-item cat-item-26"><a href="http://pblks.com/category/video/" title="The PBLKS VID-E-I-O!">video</a> </li> </ul> </div> </div><div id="filler" class="fix"> <div id="mainColumn"> <div id="post-1457" class="post"> <div class="postMeta"> <p class="container"> <span class="date">Aug 27, 2009</span> <span class="comments"><a href="http://pblks.com/2009/08/cordoba-arg/#respond" title="Comment on Cordoba, ARG">0</a></span> </p> </div> <h2><a href="http://pblks.com/2009/08/cordoba-arg/" title="Cordoba, ARG">Cordoba, ARG</a></h2> <div class="entry"> <p><img class="alignnone size-full wp-image-1588" title="3847027076_d9911633b9-1" src="http://pblks.com/wp-content/uploads/2009/08/3847027076_d9911633b9-11.jpg" alt="3847027076_d9911633b9-1" width="500" height="249" /></p> <p><img class="alignnone size-full wp-image-1634" title="3172254998_221b734756" src="http://pblks.com/wp-content/uploads/2009/08/3172254998_221b734756.jpg" alt="3172254998_221b734756" width="500" height="219" /></p> <p><img class="alignnone size-full wp-image-1632" title="2883198191_10016958b5" src="http://pblks.com/wp-content/uploads/2009/08/2883198191_10016958b5.jpg" alt="2883198191_10016958b5" width="500" height="176" /></p> <p><img class="alignnone size-full wp-image-1471" title="2452662256_a693cec7d8" src="http://pblks.com/wp-content/uploads/2009/08/2452662256_a693cec7d8.jpg" alt="2452662256_a693cec7d8" width="500" height="251" /></p> <p><img class="alignnone size-full wp-image-1636" title="2718902099_5f82674038" src="http://pblks.com/wp-content/uploads/2009/08/2718902099_5f82674038.jpg" alt="2718902099_5f82674038" width="500" height="375" /></p> <p><img class="alignnone size-full wp-image-1470" title="2584998905_46be129cc0" src="http://pblks.com/wp-content/uploads/2009/08/2584998905_46be129cc0.jpg" alt="2584998905_46be129cc0" width="500" height="233" /></p> <div><span style="white-space: pre;"> </span></div> <p>The wave of protest during the Iranian election was an <a href="http://www.canada.com/news/national/Outrage+over+Iran+rise+Canada+world/1723767/story.html" target="_blank">undeniable media phenomenon</a>, with twitterites worldwide tinting their icons green in a show of solidarity and millions following the events via up-to-the-second citizen reportage. But after a few weeks, foreign interest declined, twits shifting to celebrity death, causing Iran’s struggle for liberty to drop off the pop-radar. Now members of the opposition have been rounded up and either jailed without charge or put on trial to be <a href="http://www.guardian.co.uk/world/2009/aug/25/iran-election-opposition-trial" target="_blank">made example of</a> – a depressing defeat for such a bombastic movement that saw an entire generation of young Iranians risk their skin to protest an archaic regime’s dubious election. But if one were to predict the near future of Iranian democracy, it seems foolish not to err on the side of the progressives. Iran’s median age is 26, which is incredibly young and considering its status as a <a href="http://www.vimeo.com/2232226" target="_blank"><em>“nation of bloggers”</em></a> it’s only a matter of time before new ideas displace the old.</p> <div><span style="white-space: pre;"> </span></div> <p>In Argentina, a similar scenario has developed. Following decades of military rule, the demographic scales have also tipped in favour of youth and given birth to the next generation of cultural revolutionaries. And much like Iranian bloggers, young Argentines have embraced new mediums in order to upset the set-up. But to understand Argentina’s cultural dynamic, it’s important to consider the historic context: From 1976 to 1983 Argentina was governed by a <a href="http://news.bbc.co.uk/2/hi/americas/8198702.stm" target="_blank">fascist junta</a> that kidnapped and disposed of anyone with an opinion that conflicted with the regime, roughly 30,000 dissidents “disappearing” during their rule. In 2001, the country experienced a <a href="http://www.nytimes.com/2001/12/21/opinion/argentina-unraveling.html?scp=4&sq=argentina%20economy%20collapse%20riot&st=cse" target="_blank">complete economic collapse</a>, culminating in a series of riots that eventually toppled the government.</p> <div><span style="white-space: pre;"> </span></div> <p>This history of conflict and protest has created a social atmosphere that is conducive to inspired political expression. While the idea of “revolution” will get you scoffed at in most North American galleries, Argentines, like Iranians, still have the heart and conviction needed to challenge one’s political situation. And so it’s natural that they would gravitate towards graffiti – an inherently political artform.</p> <div><span style="white-space: pre;"> </span></div> <p>The <a href="http://abcnews.go.com/Travel/story?id=7697519&page=1" target="_blank">press has said much</a> about street art in Buenos Aires, a city that’s been dripping in stencil paint for a while now, but a just few hours inland is <a href="http://en.wikipedia.org/wiki/C%C3%B3rdoba,_Argentina" target="_blank">Cordoba</a> – An explosively creative city of 1.5 million that is coming up quick. Logos, a graf-writer, designer and member of the city’s<a href="http://orgullocriollo.tv/" target="_blank"> DIY media</a>, has been documenting his work and Cordoba’s street culture for past year on<a href="http://www.flickr.com/photos/24805517@N07/" target="_blank"> his flickr</a>.</p> <div><span style="white-space: pre;"> </span></div> <p><strong>PBLKS: What’s going on in Cordoba?</strong></p> <div><span style="white-space: pre;"> </span></div> <p><em>Logos: Che Guevara´s revolutionary idealism is alive and well in his hometown province of Cordoba. No one is in control. Everything is up for grabs. </em></p> <div><span style="white-space: pre;"> </span></div> <p><strong>PBLKS: Buenos Aires gets most of the press when people talk about Argentina, so how does Cordoba differ from the capital?</strong></p> <div><span style="white-space: pre;"> </span></div> <p><em>Logos: Cordoba is much smaller and less chaotic than Buenos Aires. Also, it’s a university town, and in the middle of the city there are 100,000 students (which come from all over Argentina) that live in a neighborhood called “Nueva Cordoba”, pretty great spot.</em></p> <div><span style="white-space: pre;"> </span></div> <p><strong>PBLKS: There seems to be a huge amount of amazing work coming out of Argentina recently, is there something special going on?</strong></p> <div><span style="white-space: pre;"> </span></div> <p><em>Logos: Yeah, like i said before everything is up for grabs. After the dictatorship , the total economic collapses every 10 years, the corruption, the xenophobia, etc ,etc, you’re left with everything being on the line all the time. Nothing is locked down.</em></p> </div> </div> <div id="post-1037" class="post"> <div class="postMeta"> <p class="container"> <span class="date">Jul 8, 2009</span> <span class="comments"><a href="http://pblks.com/2009/07/the-worlds-smallest-mania/#comments" title="Comment on The World’s Smallest Mania">4</a></span> </p> </div> <h2><a href="http://pblks.com/2009/07/the-worlds-smallest-mania/" title="The World’s Smallest Mania">The World’s Smallest Mania</a></h2> <div class="entry"> <p><img class="alignnone size-full wp-image-1038" title="nua0cdkdqp8qiswnswjf28boo1_400" src="http://pblks.com/wp-content/uploads/2009/07/nua0cdkdqp8qiswnswjf28boo1_400.jpg" alt="nua0cdkdqp8qiswnswjf28boo1_400" width="500" height="331" /></p> <p>As media journalists <a href="http://www.slate.com/id/2222085/" target="_blank">rush to interpret</a> the recent wave of <a href="http://www.tumblr.com" target="_blank">Tumblr</a>-related hype, thousands of would-be internet auteurs are scrambling for a bankable gimmick in hopes of securing the mother of all meme payoffs: the <a href="http://gawker.com/5305024/exploiting-the-blog+to+book-bubble-a-guide" target="_blank">blog-to-book jackpot</a>. However, much like the livejournals and blogger sites of yesteryear, the average tumblelog is ultimately doomed to obscurity. Here’s a brief interview with the author of one that isn’t: <a href="http://kleinmania.tumblr.com/" target="_blank">Kleinmania</a>.</p> <p><img class="alignnone size-full wp-image-1051" title="picture-1" src="http://pblks.com/wp-content/uploads/2009/07/picture-1.png" alt="picture-1" width="500" height="128" /></p> <p><span style="color: #000000;"><strong>What is Kleinmania?</strong></span></p> <p>Kleinmania is the world’s smallest mania, the iPod shuffle of manias. It’s an outlet for ideas and observations – quite often it’s silly or banal which are two of my favourite commodities. It’s my contribution to the war on sincerity.</p> <div><span style="white-space: pre;"> </span></div> <p><span style="color: #000000;"><img class="alignnone size-full wp-image-1040" title="nua0cdkdqo6dj4nycstxhkgu" src="http://pblks.com/wp-content/uploads/2009/07/nua0cdkdqo6dj4nycstxhkgu.jpg" alt="nua0cdkdqo6dj4nycstxhkgu" width="500" height="375" /><br /> </span></p> <p><span style="color: #000000;"><br /> <strong>Who is “Klein” ?</strong><br /> </span></p> <p><span style="color: #000000;">I’m a graphic designer in Sydney, although I don’t consider Kleinmania a design project by any means – it’s not always pleasing to the eye. People who know me get the irony that I would profess to any kind of mania because I’m pretty quiet and mellow but hopefully my work speaks louder than me.</span></p> <div><span style="white-space: pre;"> </span></div> <p><strong>I get an ‘office humour’ vibe from Kleinmania.<br /> </strong></p> <p>That’s an interesting observation because it evolves day to day without any real agenda. I try to make at least one thing new every day which often means that I have no idea what will be on there tomorrow.</p> <div><span style="white-space: pre;"> </span></div> <p><strong>Do you work in a cubicle?</strong></p> <p>I work in a noisy open plan studio with some very funny and creative people to bounce ideas off.<span style="color: #000000;"> I think I drive them a bit nuts sometimes. We don’t have cubicles, but maybe it would be nice to have a little privacy – especially on those occasions when you need to deep etch assorted Steven Seagal images without arousing suspicion.</span></p> <div><span style="white-space: pre;"> </span></div> <p><span style="color: #000000;"><strong>If you were to work in a cubicle, what would your fantasy cubicle look like?</strong></span></p> <p><span style="color: #000000;"><br style="color: #000099;" />My dream cubicle would be a Rubik’s cubicle and it would hover…and have a cheesy laugh track for every time I posted something.</span></p> <div><span style="white-space: pre;"> </span></div> <p><span style="color: #000000;"><img class="alignnone size-full wp-image-1052" title="predator-1" src="http://pblks.com/wp-content/uploads/2009/07/predator-1.gif" alt="predator-1" width="480" height="480" /><br /> </span></p> <p><span style="color: #000000;"><strong>There are a few reoccurring topics on your site that I’ve noticed (Seinfeld, Hulk Hogan, Star Wars), is there a common thread here? A theme, perhaps a zeitgeist you are attempting to capture?</strong></span></p> <p>If only it were something so profound. I grew up with all three at various stages but there are many influences I have yet to exploit. The eighties in particular offered so much in that respect and I’m interested to see what becomes of more contemporary figures in popular culture.</p> <div><span style="white-space: pre;"> </span></div> <p>We burn through memes so quickly now that things seem to have a much shorter shelf life. It’s not entirely a bad thing, but I wonder if we’ll be amused by references to keyboard cat in twenty years.<br style="color: #000099;" /></p> <div><span style="white-space: pre;"> </span></div> <p><img class="alignnone size-full wp-image-1046" title="nua0cdkdqo8v168fg6fjgrrfo1_r1_400" src="http://pblks.com/wp-content/uploads/2009/07/nua0cdkdqo8v168fg6fjgrrfo1_r1_400.gif" alt="nua0cdkdqo8v168fg6fjgrrfo1_r1_400" width="500" height="334" /></p> <div><span style="white-space: pre;"> </span></div> <p><strong><a href="http://en.wikipedia.org/wiki/Flubber">Flubber</a> seems to be one of your aesthetic obsessions, what about the film do you find so captivating?</strong><br /> <strong> </strong><br style="color: #000099;" /><br style="color: #000099;" />The film is widely regarded as flop, so to me it represents a product not living up to its hype and the banality of advertising in general. Take a slogan, replace the product name with fictitious slime, and it still makes much (or as little) sense as the original message did.</p> <p><img class="alignnone size-full wp-image-1047" title="nua0cdkdqke4eb37oaylkt1yo1_400" src="http://pblks.com/wp-content/uploads/2009/07/nua0cdkdqke4eb37oaylkt1yo1_400.jpg" alt="nua0cdkdqke4eb37oaylkt1yo1_400" width="500" height="500" /></p> <p><strong>This is interesting, it definitely speaks to the art director in me and the range of emotions I experience when working with text, what was the inspiration for this?</strong></p> <p>I’m a type nerd, and a Kubrick fan (the Full Metal Jacket movie poster originally read “Born to Kill”) so that one came together quite naturally. Kerning is an interesting process because it can be very time consuming and it’s usually invisible, as in you only notice it when it’s bad.</p> <p>Some of the things I’ve done to type on Kleinmania are almost criminal, but that’s usually intentional…and fun. Typographers can take it all way too seriously sometimes so it’s good to stir the pot a little bit. To my knowledge nobody has ever died from poor kerning.</p> <div><span style="white-space: pre;"> </span></div> <p><img class="alignnone size-full wp-image-1048" title="nua0cdkdql5k529wlno8zmeao1_400" src="http://pblks.com/wp-content/uploads/2009/07/nua0cdkdql5k529wlno8zmeao1_400.jpg" alt="nua0cdkdql5k529wlno8zmeao1_400" width="500" height="750" /></p> <div><span style="white-space: pre;"> </span></div> <p><strong>Now, this blew my mind when I first saw it, I was like “shit, what the fuck am I looking at?” and then I realized you had perfectly expressed the dream-like temporality of growing up in the 80s. Can you tell us about the creative process behind Mr. ET?</strong></p> <p><span style="color: #000000;">When I was about seven years old I wanted to be Mr T, but there were obstacles to overcome, being </span><span style="color: #000000;">Australian, </span><span style="color: #000000;">white, and seven to name a few. Although</span><span style="color: #000000;"> oddly enough I did have a stunning beard (jokes). I also wanted a glowing index finger, but since none of those goals were immediately attainable I resorted to drawing both characters, often together.</span></p> <div><span style="white-space: pre;"> </span></div> <p><span style="color: #000000;"><img class="alignnone size-full wp-image-1049" title="nua0cdkdqn68es5cxpc6gnr1o1_400" src="http://pblks.com/wp-content/uploads/2009/07/nua0cdkdqn68es5cxpc6gnr1o1_400.jpg" alt="nua0cdkdqn68es5cxpc6gnr1o1_400" width="500" height="396" /></span><span style="color: #000000;"><br style="color: #000099;" /></span></p> <div><span style="white-space: pre;"> </span></div> <p><strong>This is great. I would love to have a poster of this hanging above my desk as a painful reminder of the ultimate redundancy of our actions. </strong></p> <p>You got it in one, and I’d be honored for it to hang above your desk but hopefully it’s not too painful a reminder – it should also be viewed with a just a tiny amount of triumph. By recontextualising something like that you can render it benign, so that it becomes an object to amuse you. You might not even think about the grazed elbows with the sand and the stinging when you look at it.</p> <div><span style="white-space: pre;"> </span></div> <p><span style="color: #000000;"><strong>Do you believe in <a href="http://en.wikipedia.org/wiki/2012_doomsday_prediction">2012</a>?</strong></span></p> <p>2012…I don’t really believe in the doomsday predictions but I do believe that a cultural shift is on its way, where people will become less materialistic and therefore less at the mercy of giant corporations. I think there are small signs this is already starting to happen…but I’d better stop now because I’m teatering on the edge of sincerity.</p> </div> </div> <div id="post-780" class="post"> <div class="postMeta"> <p class="container"> <span class="date">Jun 22, 2009</span> <span class="comments"><a href="http://pblks.com/2009/06/faltydl/#comments" title="Comment on FaltyDL">3</a></span> </p> </div> <h2><a href="http://pblks.com/2009/06/faltydl/" title="FaltyDL">FaltyDL</a></h2> <div class="entry"> <div> <p><img class="alignnone size-full wp-image-920" title="falty3" src="http://pblks.com/wp-content/uploads/2009/06/falty3.jpg" alt="falty3" width="500" height="458" /></p> <p><a href="http://www.myspace.com/faltydl" target="_blank">FaltyDL </a>aka Drew Lustman started off this year with the brilliant <em>To London</em>, a track championed by all the prime influencers from<a href="http://www.bbc.co.uk/radio1/maryannehobbs/" target="_blank"> Mary Anne Hobbs</a> to <a href="http://www.myspace.com/kode9" target="_blank">Kode9</a>. He’s expanded his interstellar groove on his debut <em>Love is a Liability</em>, and is currently riding on a wave of critical acclaim. At times sounding like any number of electronic giants (Aphex, Vibert, BOC, Burial…), Falty manages to evoke the sounds of the past in his own stirring and original way, often with jaw-dropping results.</p> <p> <a href="http://pblks.com/2009/06/faltydl/#more-780" class="more-link">Read the rest of this entry »</a></div> </div> </div> <div id="post-585" class="post"> <div class="postMeta"> <p class="container"> <span class="date">Jun 4, 2009</span> <span class="comments"><a href="http://pblks.com/2009/06/sasha-grey/#comments" title="Comment on Sasha Grey">4</a></span> </p> </div> <h2><a href="http://pblks.com/2009/06/sasha-grey/" title="Sasha Grey">Sasha Grey</a></h2> <div class="entry"> <p><img class="alignnone size-full wp-image-587" title="grey" src="http://pblks.com/wp-content/uploads/2009/06/grey.jpg" alt="grey" width="550" height="309" /></p> <p>Here’s the full transcript for an interview I did with Sasha Grey for the article <a href="http://www.adbusters.org/magazine/83/pornocalypse_now.html">“Pornocalypse Now”</a></p> <p> <a href="http://pblks.com/2009/06/sasha-grey/#more-585" class="more-link">Read the rest of this entry »</a></p> </div> </div> <div id="post-553" class="post"> <div class="postMeta"> <p class="container"> <span class="date">May 30, 2009</span> <span class="comments"><a href="http://pblks.com/2009/05/remano-eszildn/#comments" title="Comment on Remano Eszildn">1</a></span> </p> </div> <h2><a href="http://pblks.com/2009/05/remano-eszildn/" title="Remano Eszildn">Remano Eszildn</a></h2> <div class="entry"> <p><img class="alignnone size-full wp-image-554" title="1" src="http://pblks.com/wp-content/uploads/2009/05/1.jpg" alt="1" width="550" height="413" /></p> <p>A few years ago <a href="http://www.planet-mu.com/artists/Remano">Remano Eszildn</a> was literally throwing up bricks. Training in brickwork for over 2 years he quit and turned his attention to building something different. With no musical background Remano began fiddling with his brother’s equipment, pulling together notes and tracks and after some time turning what was a hobby into a full-blown music career, releasing his debut LP<em> R-Tracks</em> on <a href="http://www.planet-mu.com/">Planet µ</a>. Having roots in Scotland and Bristol one might think Remano’s music would hold some traces from those thriving local scenes but Remano is different. Seemingly immersed in only his own craft and plucked from a locality his music is singular and original – <a href="http://pblks.com/2009/04/140409/">the purest sounds</a>.</p> <p> <a href="http://pblks.com/2009/05/remano-eszildn/#more-553" class="more-link">Read the rest of this entry »</a></p> </div> </div> <div id="post-121" class="post"> <div class="postMeta"> <p class="container"> <span class="date">Mar 23, 2009</span> <span class="comments"><a href="http://pblks.com/2009/03/art-city-limits/#comments" title="Comment on Art City Limits: Geoff McFetridge">3</a></span> </p> </div> <h2><a href="http://pblks.com/2009/03/art-city-limits/" title="Art City Limits: Geoff McFetridge">Art City Limits: Geoff McFetridge</a></h2> <div class="entry"> <p><img class="alignnone size-full wp-image-170" title="picture-13" src="http://pblks.com/wp-content/uploads/2009/03/picture-13.png" alt="picture-13" width="530" height="262" /></p> <p style="text-align: justify;">We live in the age of the “creative,” a label that can be applied to anyone even marginally interested in anything inventive. If you’re familiar with the term, you’re probably one of us. You might be a designer, a photographer pulling espresso for rent, or maybe a writer “sourcing” the service industry for inspiration. It doesn’t really matter. Anyone can self-publish on the internet and blow up globally, blurring the line between fact/content and fiction/hype. What does matter, it seems, is where one resides.</p> <p style="text-align: justify;"> <a href="http://pblks.com/2009/03/art-city-limits/#more-121" class="more-link">Read the rest of this entry »</a></p> </div> </div> <div id="post-300" class="post"> <div class="postMeta"> <p class="container"> <span class="date">Aug 6, 2007</span> <span class="comments"><a href="http://pblks.com/2007/08/interview-del-tha-funkee-homosapien/#comments" title="Comment on Interview: Del tha Funkee Homosapien">1</a></span> </p> </div> <h2><a href="http://pblks.com/2007/08/interview-del-tha-funkee-homosapien/" title="Interview: Del tha Funkee Homosapien">Interview: Del tha Funkee Homosapien</a></h2> <div class="entry"> <p><img class="alignnone size-full wp-image-304" title="del4" src="http://pblks.com/wp-content/uploads/2009/04/del4.jpg" alt="del4" width="550" height="369" /></p> <p>Next to Arctic crab fishing, Hip-Hop is probably the most difficult industry to stay afloat in. All the cutthroat competition, government pressure, fickle consumers, corporate greed and street-level violence make it easy for successful rappers to easily drop into obscurity. Not many artists are able to last longer than a decade, but bay-area lyricism magnate Del tha Funkee Homosapien has managed to stay in the game for 16 years now, a feat that has seen him outlast numerous pop fads from grunge to grime and everything in between. I hooked up with him prior to his show at Richards on Richards and we spent an hour chatting it up and smoking Beedis in his hotel room.</p> <p> <a href="http://pblks.com/2007/08/interview-del-tha-funkee-homosapien/#more-300" class="more-link">Read the rest of this entry »</a></p> </div> </div> <div id="paginateIndex" class="fix"> <p><span class="left"></span> <span class="right"></span></p> </div> </div> <div class="secondaryColumn"> <div id="tumblr-widget-12" class="widgetContainer Tumblr"><h3 class="widgetTitle">the wire:</h3><ul><li class="tumblr_post regular" style="padding:8px 0"><h3>Der Spiegel</h3><p><p><a target="_blank" href="http://www.spiegel.de/international/world/0,1518,682852,00.html#ref=rss"><strong>The Soldiers Call It War Porn</strong></a>: <em>War used to be a very serious decision. Now we don’t even declare war anymore. We don’t pay war taxes, we don’t buy war bonds. Now we can carry it out without having to deal with some of the consequences of sending our sons and daughters into harm’s way. It also changes the way politicians think about war. You already have society’s barriers against war dropping, and now you have a technology that takes the barriers to the ground.</em></p></p><p><a href="http://neojournalismo.tumblr.com/post/458645159" class="tumblr_link">03/19/10</a></p></li><li class="tumblr_post regular" style="padding:8px 0"><h3>Foreign Policy</h3><p><p><a target="_blank" href="http://mideast.foreignpolicy.com/posts/2010/03/16/gazas_tragically_peculiar_economy"><strong>Gaza’s tragically peculiar economy</strong></a>: <em>When I was in Gaza in January I had an opportunity to both speak with tunnel operators and view the tunnels themselves. One can’t help but be struck by how ubiquitous the tunnel trade has become. Most of what one buys in Gaza seems to have come through a tunnel: shoes, clothing, chocolate bars, utensils, appliances. Even fiancés, livestock, automobiles, and a lion have been brought into Gaza this way. (The drugged but uncaged lion, it seems, woke up part way across. After puzzling how to recapture it, smugglers built two halves of a makeshift cage, which were then separately lowered into the tunnel from the Gaza and Egyptian ends, and very, very carefully pushed together.)</em></p></p><p><a href="http://neojournalismo.tumblr.com/post/458644000" class="tumblr_link">03/19/10</a></p></li><li class="tumblr_post regular" style="padding:8px 0"><h3>The Nation</h3><p><p><a target="_blank" href="http://Coalition%20of%20the%20Shilling%20"><strong>Coalition of the Shilling</strong></a>:<em> As newspapers close foreign bureaus and shrink newsrooms—threatening independent national security reporting at a time when the United States is involved in two wars—think tanks like CNAS have moved to fill the void in new and old media. And while tightfisted newspaper publishers may be less than generous with book leave, think tanks like CNAS and ISW offer a place to work on long-form journalism free of daily deadline pressure. </em></p></p><p><a href="http://neojournalismo.tumblr.com/post/448460949" class="tumblr_link">03/14/10</a></p></li><li class="tumblr_post regular" style="padding:8px 0"><h3>Robert D. Kaplan</h3><p><p><a target="_blank" href="http://www.theatlantic.com/magazine/archive/2010/04/man-versus-afghanistan/7983"><strong>Man VS Afghanistan</strong></a>: <em>“Doubt,” T. E. Lawrence wrote in Seven Pillars of Wisdom (1926), is “our modern crown of thorns.” The Special Operations forces that McChrystal led in Iraq were not so afflicted, despite a home front—especially a policy nomenklatura in Washington—that by 2006 had given up on the war. McChrystal, whom Williams called “the singularly most impressive military officer I ever served with,” has never submitted to fate. His oft-documented physical regimen—running eight miles a day, eating one meal a day, and sleeping four hours a night—itself expresses an unyielding, almost cultic determination.</em></p></p><p><a href="http://neojournalismo.tumblr.com/post/448301016" class="tumblr_link">03/14/10</a></p></li><li class="tumblr_post regular" style="padding:8px 0"><h3>Washington Post</h3><p><p><a target="_blank" href="http://www.washingtonpost.com/wp-dyn/content/article/2010/03/11/AR2010031103653.html"><strong>CIA drone attacks produce America’s own unlawful combatants</strong></a>: <em>CIA civilian personnel who repeatedly and directly participate in hostilities may have what recent <a href="http://www.icrc.org/web/eng/siteeng0.nsf/html/direct-participation-ihl-faq-020609">guidance from the International Committee of the Red Cross</a> terms “a continuous combat function.” That status, the ICRC guidance says, makes them legitimate targets whenever and wherever they may be found, including Langley. While the guidance speaks in terms of non-state actors, there is no reason why the same is not true of civilian agents of state actors such as the United States. </em></p></p><p><a href="http://neojournalismo.tumblr.com/post/448297488" class="tumblr_link">03/14/10</a></p></li><li class="tumblr_post regular" style="padding:8px 0"><h3>Immanuel Wallerstein</h3><p><p><a target="_blank" href="http://www.iwallerstein.com/greek-mess-euromess-western-nations-mess-world-mess/"><b>Greek Mess, Euromess, Western Nations Mess, World Mess?</b></a> <i>Greece’s problems are indeed Germany’s problems. Germany’s problems are indeed the United States’ problems. And the United States’ problems are indeed the world’s problems. Analyzing who did what in the last ten years is far less useful than discussing what, if anything, can be done in the next ten years. What is going on is a world-wide game of chicken. Everyone seems to be waiting for who will flinch first. Someone is going to make a mistake. And then we’ll have what Barry Eichengreen has called “the mother of all financial crises.” Even China will be affected by that one.</i></p></p><p><a href="http://neojournalismo.tumblr.com/post/436874310" class="tumblr_link">03/09/10</a></p></li><li class="tumblr_post regular" style="padding:8px 0"><h3>The Nation</h3><p><p><a target="_blank" href="http://www.thenation.com/doc/20100322/hari/single"><b>The Wrong Kind of Green</b></a>: <i>It has taken two decades for this corrupting relationship to become the norm among the big green organizations. Imagine this happening in any other sphere, and it becomes clear how surreal it is. It is as though Amnesty International’s human rights reports came sponsored by a coalition of the Burmese junta, Dick Cheney and Robert Mugabe. For environmental groups to take funding from the very people who are destroying the environment is preposterous—yet it is now taken for granted. </i></p></p><p><a href="http://neojournalismo.tumblr.com/post/436873263" class="tumblr_link">03/09/10</a></p></li><li class="tumblr_post regular" style="padding:8px 0"><h3>Arts Technica</h3><p><p><b><a target="_blank" href="http://arstechnica.com/tech-policy/news/2010/03/how-nokia-helped-iran-persecute-and-arrest-dissidents.ars">How Nokia helped Iran “persecute and arrest” dissidents</a>:</b> <i>Journalist Hanna Nikkanen quotes Nokia’s Lauri Kivinen saying that “there’s been this perception internationally that we’ve supplied them [Iran] with internet surveillance equipment, but this is not true. The statement was made on February 20, 2010, but Nikkanen obtained leaked manuals to the equipment in question and concluded, ” The surveillance made possible by the Nokia Lawful Interception Gateway (LIG) extends to mobile internet usage. Either Kivinen was lying or his knowledge of his company’s core competence field isn’t quite adequate.”</i></p></p><p><a href="http://neojournalismo.tumblr.com/post/428335015" class="tumblr_link">03/05/10</a></p></li><li class="tumblr_post regular" style="padding:8px 0"><h3>Vanity Fair | Hitchens</h3><p><p><a target="_blank" href="http://www.vanityfair.com/culture/features/2010/04/hitchens-201004?currentPage=1"><b>The New Commandments</b></a>:<span class="dc"> <i>W</i></span><i>hat do we say when we want to revisit a long-standing policy or scheme that no longer seems to be serving us or has ceased to produce useful results? We begin by saying tentatively, “Well, it’s not exactly written in stone.” (Sometimes this comes out as “not set in stone.” By that, people mean that it’s not one of the immutable Tablets of the Law. Thus, more recent fetishes such as the gold standard, or the supposedly holy laws of the free market, can be discarded as not being incised on granite or marble. But what if it is the original stone version that badly needs a re-write? Who will take up the revisionist chisel?</i></p></p><p><a href="http://neojournalismo.tumblr.com/post/428317449" class="tumblr_link">03/05/10</a></p></li><li class="tumblr_post regular" style="padding:8px 0"><h3>Salon</h3><p><p><a target="_blank" href="http://www.salon.com/news/opinion/feature/2010/02/23/counterculture/index.html"><b>Glenn Beck is the new Abbie Hoffman</b></a>: <i>Just as the New Left claimed that the New Deal era wasn’t really liberal, so the countercultural right claims that the Republican Party from Nixon to George W. Bush wasn’t really conservative. ’60s radicals like Carl Oglesby denounced John F. Kennedy and Lyndon Johnson as sinister “corporate liberals” in the same way that the radicals of the right claim that the two Bushes, if not the sainted Reagan, were inauthentic “big government conservatives.” The radical left had Ralph Nader. The radical right has Ron Paul.</i></p></p><p><a href="http://neojournalismo.tumblr.com/post/421868982" class="tumblr_link">03/02/10</a></p></li><li class="tumblr_post regular" style="padding:8px 0"><h3>Granta</h3><p><p><a target="_blank" href="http://www.granta.com/Online-Only/Borges-and-Me-and-Me"><b>Borges and Me, and Me</b></a>: <i>Was this the most significant moment of my life so far? Who knew if this collision with great literature would be the trigger of other stories, or the Fukuyama-esque end of my history as a writer – because what would be the point of writing anything if I went down in history as the person who killed Borges? Luckily for me, Borges was alive. I saw Borges, on his back, the stick across his chest, opening and closing his mouth like one of those canaries sent down into the bowels of coal mines to detect a lack of oxygen. It was poetic justice, I think: the plot that brought together two invisible men who managed to meet, and, upon not seeing each other, collide.</i></p></p><p><a href="http://neojournalismo.tumblr.com/post/413072559" class="tumblr_link">02/26/10</a></p></li><li class="tumblr_post regular" style="padding:8px 0"><h3>The Nation</h3><p><p><a target="_blank" href="http://www.thenation.com/doc/20100301/alperowitz_et_al?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+ArticlesFromTheNation+(The+Nation%3A+All+Articles)&utm_content=Google+Reader"><b>The Cleveland Model</b></a>: <i>Something important is happening in Cleveland: a new model of large-scale worker- and community-benefiting enterprises is beginning to build serious momentum in one of the cities most dramatically impacted by the nation’s decaying economy. The Evergreen Cooperative Laundry (ECL)—a worker-owned, industrial-size, thoroughly “green” operation—opened its doors late last fall in Glenville, a neighborhood with a median income hovering around $18,000. It’s the first of ten major enterprises in the works in Cleveland, where the poverty rate is more than 30 percent and the population has declined from 900,000 to less than 450,000 since 1950.</i></p></p><p><a href="http://neojournalismo.tumblr.com/post/393340217" class="tumblr_link">02/16/10</a></p></li><li class="tumblr_post regular" style="padding:8px 0"><h3>LA Times</h3><p><p><a target="_blank" href="http://articles.latimes.com/2010/feb/14/local/la-me-blacktar14-2010feb14"><b>A lethal business model targets Middle America</b></a>: <i>Immigrants from Xalisco in the Pacific Coast state of Nayarit, Mexico, they have brought an audacious entrepreneurial spirit to the heroin trade. Their success stems from both their product, which is cheaper and more potent than Colombian heroin, and their business model, which places a premium on customer convenience and satisfaction.</i></p></p><p><a href="http://neojournalismo.tumblr.com/post/393323955" class="tumblr_link">02/16/10</a></p></li><li class="tumblr_post regular" style="padding:8px 0"><h3>Le Monde</h3><p><p><a target="_blank" href="http://mondediplo.com/2010/01/05copenhagen"><b>What apocalypses are you nostalgic for?</b></a> <i>It’s clear now that, from her immoveable titanium bangs to her chaotic approximation of human speech, Sarah Palin is a Terminator cyborg sent from the future to destroy something – but what? It could be the Republican Party she’ll ravage by herding the fundamentalists and extremists into a place where sane fiscal conservatives and swing voters can’t follow. Or maybe she was sent to destroy civilisation at this crucial moment by preaching the gospel of climate-change denial, abetted by tools like the Washington Post, which ran a factually outrageous editorial by her on the subject on 9 December 2009. No one (even her, undoubtedly) knows, but we do know that this month we all hover on the brink.</i></p></p><p><a href="http://neojournalismo.tumblr.com/post/380731933" class="tumblr_link">02/09/10</a></p></li><li class="tumblr_post regular" style="padding:8px 0"><h3>The Guardian</h3><p><p><a target="_blank" href="http://www.guardian.co.uk/uk/2010/jan/23/cctv-sky-police-plan-drones"><b>CCTV in the Sky</b></a>:<a title="More from guardian.co.uk on Police" href="http://www.guardian.co.uk/uk/police"> <i>Police</i></a><i> in the UK are planning to use unmanned spy drones, controversially deployed in Afghanistan, for the ”routine” monitoring of antisocial motorists, protesters, agricultural thieves and fly-tippers, in a significant expansion of covert state <a title="More from guardian.co.uk on Surveillance" href="http://www.guardian.co.uk/uk/surveillance">surveillance</a>. The arms manufacturer <a title="More from guardian.co.uk on BAE Systems" href="http://www.guardian.co.uk/business/baesystems">BAE Systems</a>, which produces a range of unmanned aerial vehicles (UAVs) for war zones, is adapting the military-style planes for a consortium of government agencies led by Kent police.</i></p></p><p><a href="http://neojournalismo.tumblr.com/post/372637119" class="tumblr_link">02/05/10</a></p></li><li class="tumblr_post regular" style="padding:8px 0"><h3>Mute</h3><p><p><a target="_blank" href="http://www.metamute.org/en/content/apocalypse_tendency_crisis"><b>Apocalypse, Tendency, Crisis</b></a>: <i>In a time of crisis apocalyptic desires and fantasies become pressing and real. Norman Cohn’s In Pursuit of the Millennium offers a secret history of the periodic emergence of a ‘revolutionary eschatology’ in the Middle Ages in response to a collapsing social order, immiseration, disease and war. Responding to crisis these dreamers dared to imagine an apocalypse that would turn the world upside down, and create a new heaven on earth in which Princes would bow to peasants. Of course the apocalypse that became real was often the apocalypse of repression.</i></p></p><p><a href="http://neojournalismo.tumblr.com/post/372634853" class="tumblr_link">02/05/10</a></p></li><li class="tumblr_post regular" style="padding:8px 0"><h3>The Nation | Lessig</h3><p><p><a target="_blank" href="http://www.thenation.com/doc/20100222/lessig">How to Get Our Democracy Back</a>:<i> This is corruption. Not the corruption of bribes, or of any other crime known to Title 18 of the US Code. Instead, it is a corruption of the faith Americans have in this core institution of our democracy. The vast majority of Americans believe money buys results in Congress (88 percent in a recent California poll). And whether that belief is true or not, the damage is the same. The democracy is feigned. A feigned democracy breeds cynicism. Cynicism leads to disengagement. Disengagement leaves the fox guarding the henhouse. </i></p></p><p><a href="http://neojournalismo.tumblr.com/post/372571919" class="tumblr_link">02/05/10</a></p></li><li class="tumblr_post regular" style="padding:8px 0"><h3>Slate | Hitchens</h3><p><p><a target="_blank" href="http://www.slate.com/id/2243112/"><b>A Nation of Racist Dwarfs</b></a>: <i>The whole idea of communism is dead in North Korea, and its most recent “Constitution,” “ratified” last April, has dropped all mention of the word. The analogies to Confucianism are glib, and such parallels with it as can be drawn are intended by the regime only for the consumption of outsiders. Myers makes a persuasive case that we should instead regard the Kim Jong-il system as a phenomenon of the very extreme and pathological right. It is based on totalitarian “military first” mobilization, is maintained by slave labor, and instills an ideology of the most unapologetic racism and xenophobia.</i></p></p><p><a href="http://neojournalismo.tumblr.com/post/366887219" class="tumblr_link">02/02/10</a></p></li><li class="tumblr_post regular" style="padding:8px 0"><h3>The New Republic</h3><p><p><a target="_blank" href="http://www.tnr.com/article/the-love-culture?page=0,1"><b>For the Love of Culture</b></a>: <i>Books—physical books, and the copyrighted work that gets carried in them—are an extraordinarily robust cultural artifact. We have access to practically every book ever published anywhere. You do not need to be a Harvard professor to enter the rare book room at the law library. You do not need to touch rare books to read the work those books hold. Older works—before 1923, in the United States—are in the public domain, which means that anyone, including any publisher, can copy and reprint that work without any permission from anyone else. There is no Shakespeare estate that reviews requests for new editions of Hamlet. The same is true for every nineteenth-century author in America. These works are freely and widely available, because no law restricts access to these works.</i></p></p><p><a href="http://neojournalismo.tumblr.com/post/359670188" class="tumblr_link">01/29/10</a></p></li><li class="tumblr_post regular" style="padding:8px 0"><h3>Wired</h3><p><p><a target="_blank" href="http://www.wired.com/magazine/2010/01/ff_newrevolution/all/1"><b>The Next Industrial Revolution</b></a>: <i>With the tools in place, the second part of this new industrial age is how manufacturing has been opened up to individuals, letting them scale prototypes into full production runs. Over the past few years, Chinese manufacturers have evolved to handle small orders more efficiently. This means that one-person enterprises can get things made in a factory the way only big companies could before.</i></p></p><p><a href="http://neojournalismo.tumblr.com/post/359639160" class="tumblr_link">01/29/10</a></p></li><li class="tumblr_post regular" style="padding:8px 0"><h3>The Guardian</h3><p><p><a target="_blank" href="http://www.guardian.co.uk/media/2010/jan/25/cudlipp-lecture-alan-rusbridger"><b>Does Journalism Exist?</b></a>: <i>In an industry in which we get used to every trend line pointing to the floor, the growth of newspapers’ digital audience should be a beacon of hope. During the last three months of 2009 the Guardian was being read by 40% more people than during the same period in 2008. That’s right, a mainstream media company – you know, the ones that should admit the game’s up because they are so irrelevant and don’t know what they are doing in this new media landscape – has grown its audience by 40% in a year. More Americans are now reading the Guardian than read the Los Angeles Times. This readership has found us, rather than the other way round. Our total marketing spend in America in the past 10 years has been $34,000.</i></p></p><p><a href="http://neojournalismo.tumblr.com/post/359634207" class="tumblr_link">01/29/10</a></p></li><li class="tumblr_post regular" style="padding:8px 0"><h3>Wired | Danger Room</h3><p><p><a target="_blank" href="http://www.wired.com/dangerroom/2010/01/pentagon-master-plan-super-size-my-drone-fleet/"><b>Super-Size My Drone Fleet</b></a>: <i>The U.S. military already has plans in the works to grow its fleet of Predators and Reapers, the long-loitering, armed surveillance drones that have become a defining feature of the air war over Central Asia and the Middle East. Now, according to a draft version of the Pentagon’s new master strategy plan, the military wants to dramatically up the number of “orbits,” or air patrols, of the unmanned aircraft.</i></p></p><p><a href="http://neojournalismo.tumblr.com/post/359602909" class="tumblr_link">01/29/10</a></p></li><li class="tumblr_post regular" style="padding:8px 0"><h3>The Baffler</h3><p><p><a target="_blank" href="http://www.thebaffler.com/viewArticle/121/0/1/">Serfing the Net</a>: <i>And so we have our conversation about the enormous cultural restructuring that is going on, but we are having it in a senseless vocabulary where “content” takes the place of “art” and “information” substitutes for “culture,” “knowledge,” “literature,” “music,” “cinema” and “meaning.” All the mysteries of the creative process are flattened: the fickle nature of the muse, the idiosyncrasies of scholarship, and the tenacity required to compose a novel. All are reduced to nothing by analogies derived from the logic of computer code, data processing and high-tech business models. </i></p></p><p><a href="http://neojournalismo.tumblr.com/post/356773977" class="tumblr_link">01/27/10</a></p></li><li class="tumblr_post regular" style="padding:8px 0"><h3>The Nation</h3><p><p><a target="_blank" href="http://www.thenation.com/doc/20100201/hayes/single"><b>System Failure</b></a>: <i>There’s a word for a governing philosophy that fuses the power of government and large corporations as a means of providing services and keeping the wheels of industry greased, and it’s a word that has begun to pop up among critics of everything from the TARP bailout to healthcare to cap and trade: corporatism. Since corporatism often merges the worst parts of Big Government and Big Business, it’s an ideal target for both the left and right. The ultimate corporatist moment, the bailout, was initially voted down in the House by an odd-bedfellows coalition of Progressive Caucus members and right-wingers.</i></p></p><p><a href="http://neojournalismo.tumblr.com/post/351513720" class="tumblr_link">01/24/10</a></p></li><li class="tumblr_post regular" style="padding:8px 0"><h3>David Harvey</h3><p><p><a target="_blank" href="http://davidharvey.org/2009/12/organizing-for-the-anti-capitalist-transition/"><b>Organizing for the Anti-Capitalist Transition</b></a>: <i>Communists are all those who work incessantly to produce a different future to that which capitalism portends. This is an interesting definition. While traditional institutionalized communism is as good as dead and buried, there are by this definition millions of <i>de facto</i> communists active among us, willing to act upon their understandings, ready to creatively pursue anti-capitalist imperatives. <a href="http://www.amazon.com/Enigma-Capital-David-Harvey/dp/1846683084/ref=sr_1_1?ie=UTF8&s=books&qid=1260895752&sr=8-1"><i></i></a>If, as the alternative globalization movement of the late 1990s declared, ‘another world is possible’ then why not also say ‘another communism is possible’? The current circumstances of capitalist development demand something of this sort, if fundamental change is to be achieved.</i></p></p><p><a href="http://neojournalismo.tumblr.com/post/344845167" class="tumblr_link">01/20/10</a></p></li><li class="tumblr_post regular" style="padding:8px 0"><h3>BLDG BLOG</h3><p><p><a target="_blank" href="http://bldgblog.blogspot.com/2010/01/they-will-build-clouds-for-us.html"><b>They Will Build Clouds For Us</b></a>: <i>A cloud of metal dust released by U.S. military airplanes in the skies 100 miles west of Los Angeles caused a temporary blackout in the city and “interfer[ed] with radar at airports in southern California” when it began to blow back toward land. What exactly was the purpose of this inadvertently weaponized offshore atmospheric event? “The Navy says it spread several thousand pounds of the particles of chaff in an operation 100 to 300 miles offshore designed to test its ability to jam radar,” the New York Times reported. </i></p></p><p><a href="http://neojournalismo.tumblr.com/post/344575842" class="tumblr_link">01/20/10</a></p></li><li class="tumblr_post regular" style="padding:8px 0"><h3>The Guardian | Charlie Brooker</h3><p><p><b><a target="_blank" href="http://www.guardian.co.uk/commentisfree/2010/jan/18/augmented-reality-on-its-way">Batten down the hatches. Augmented reality is on its way</a>: </b><i>Years ago, I had an idea for a futuristic pair of goggles that visually transformed homeless people into lovable animated cartoon characters. Instead of being confronted by the conscience-pricking sight of an abandoned heroin addict shivering themselves to sleep in a shop doorway, the rich city-dweller wearing the goggles would see Daffy Duck snoozing dreamily in a hammock. London would be transformed into something out of Who Framed Roger Rabbit.</i></p></p><p><a href="http://neojournalismo.tumblr.com/post/342849486" class="tumblr_link">01/19/10</a></p></li><li class="tumblr_post regular" style="padding:8px 0"><h3>New Statesman | Slavoj Zizek</h3><p><p><a target="_blank" href="http://www.newstatesman.com/books/2008/08/haiti-aristide-lavalas"><b>Democracy versus the people:</b></a> <i>Denounced by Talleyrand as “a horrible spectacle for all white nations”, the “mere existence of an independent Haiti” was itself an intolerable threat to the slave-owning status quo. Haiti thus had to be made an exemplary case of economic failure, to dissuade other countries from taking the same path. The price - the literal price - for the “premature” independence was truly extortionate: after two decades of embargo, France, the old colonial master, established trade and diplomatic relations only in 1825, after forcing the Haitian government to pay 150 million francs as “compensation” for the loss of its slaves. <br/></i></p></p><p><a href="http://neojournalismo.tumblr.com/post/341834674" class="tumblr_link">01/18/10</a></p></li><li class="tumblr_post regular" style="padding:8px 0"><h3>Financial Times</h3><p><p><a target="_blank" href="http://www.ft.com/cms/s/2/628a8500-ff1c-11de-a677-00144feab49a.html"><b>Moscow’s Stray Dogs</b></a>: <i>The stray dogs of Moscow are mentioned for the first time in the reports of the journalist and writer Vladimir Gilyarovsky in the latter half of the 19th century. But Poyarkov says they have been there as long as the city itself. They remain different from wolves, in particular because they exhibit pronounced “polymorphism” – a range of behavioural traits shaped in part by the “ecological niche” they occupy. And it is this ability to adapt that explains why the population density of strays is so much greater than that of wolves. “With several niches there are more resources and more opportunities.”</i></p></p><p><a href="http://neojournalismo.tumblr.com/post/339147224" class="tumblr_link">01/17/10</a></p></li><li class="tumblr_post regular" style="padding:8px 0"><h3>BBC | Adam Curtis</h3><p><p><a target="_blank" href="http://www.bbc.co.uk/blogs/adamcurtis/2010/01/yemen_the_return_of_old_ghosts.html"><b>Yemen - The Return of Old Ghosts</b></a>: <i>What I find so fascinating about the reporting of the War on Terror is the way almost all of it ignores history - as if it is a conflict happening outside time. The Yemen is a case in point. In the wake of the underpants bomber we have been deluged by a wave of terror journalism about this dark mediaeval country that harbours incomprehensible fanatics who want to destroy the west. None of it has explained that only forty years ago the British government fought a vicious secret war in the Yemen against republican revolutionaries who used terror, including bombing airliners.</i></p></p><p><a href="http://neojournalismo.tumblr.com/post/337692386" class="tumblr_link">01/16/10</a></p></li></ul></div><div id="linkcat-226" class="widgetContainer widget_links"><h3 class="widgetTitle">also...</h3> <ul class='xoxo blogroll'> <li><a href="http://urbanresearch.wordpress.com/">24:00</a></li> <li><a href="https://www.adbusters.org/authors/douglas_haddow">Adbusters</a></li> <li><a href="http://pincesphoto.blogspot.com/">André Pinces</a></li> <li><a href="http://www.booooooom.com/">Booooooom!</a></li> <li><a href="http://www.eyemagazine.com/home.php">Eye Magazine</a></li> <li><a href="http://hotpulp.tumblr.com/">Hot Pulp</a></li> <li><a href="http://www.hipsterrunoff.com/">HRO</a></li> <li><a href="http://ilovehotdogs.net/">I ♥ Hot Dogs</a></li> <li><a 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