Mar 3, 2010 0
The Department of British Columbian Aesthetics
2 new videos from my good friends at SALAZAR.
Mar 3, 2010 0
2 new videos from my good friends at SALAZAR.
Jan 31, 2010 0
The music is “Sovereignty” by Japandroids, off their totally excellent album “Post-Nothing”.
Jan 11, 2010 4

BBC 2/All Black: The Jungle Underworld
BBC 4: Synth Britannia
“n the late 1970s, small pockets of electronic artists including the Human League, Daniel Miller and Cabaret Volatire were inspired by Kraftwerk and JG Ballard and dreamt of the sound of the future against the backdrop of bleak, high-rise Britain.”
BBC 3: Tower Block Dreams (Pirate Radio/Grime)
BBC 4: Krautrock – The Rebirth of Germany
“Between 1968 and 1977 bands like Neu!, Can, Faust and Kraftwerk would look beyond western rock and roll to create some of the most original and uncompromising music ever heard. They shared one common goal – a forward-looking desire to transcend Germany’s gruesome past – but that didn’t stop the music press in war-obsessed Britain from calling them Krautrock.”
Dec 1, 2009 0
Here’s a skate video produced by friends and former studio-mates, SALAZAR. It absolutely blew up last week, clocking 100k views in just a few days, so they’ve been getting loads of well-deserved exposure. Check out their site for more quality work.
-DH
Nov 6, 2009 1

Here’s a clip from Sun-Ra’s 1972 film Space is the Place. The plot of the film is as follows: After becoming lost in space through his musical astro-travels, Sun-Ra discovers a new planet, which he deems fit for African-American colonization. He then returns to a strip-club in Chicago, where he used to play piano, in order to confront “The Overseer”, an archetypal pimp-type character. The two agree to play a hand of cards in order to decide the fate of “The Black Race” for all eternity. Then a bunch of nonsensical hijinx occur featuring strippers, hookers, evil FBI agents, impotent NASA engineers and so forth. In the end, Earth is destroyed just as Sun-Ra and his chosen disciples speed off into outer-space.
Unsurprisingly, the film is a mess, but a good sort of mess. It appropriates the premise of Bergman’s The Seventh Seal, tosses it in a bubbling pot full of blaxploitation clichés and then douses it with a thick swath of afrofuturistic heliocentricism. Or maybe it’s afrocentric heliofuturism. Either way, check it out.
BONUS: Sun-Ra’s version of Pink Elephants
Sep 27, 2009 1

Since Nathan Barley crossed the pond a few years back I’ve been subconsciously aware of the unholy brilliance that is Chris Morris, but never took the time to dig through his past work until just recently. If you’re not familiar, Morris is one of Britain’s most prolific satirists, who got his start in BBC radio and quickly established a reputation for his unique brand of comedic genius – eventually becoming the most loathed man on television. Here are a few examples of his radio, tv and film work:
Clip from The Day Today (1994)
Clip from Brass Eye (1997)
Interview with Jerry Springer from the radio show Blue Jam (1998)
My Wrongs #8245-8249 & 117 (short film, 2002)
Clip from the TV series Nathan Barley (2005)